11 bestial qualities – 09-02-19 One thing in another. I try to see it all the time. Sometimes I fail, another time I see more clearly. Hitting almost 50 I begin to realize that the life itself only can be compared to the equation of things that resemble it, like tasting fine wine leads to comparing it to qualities the wine does entail or like Shakespeare says: “Shall I thee to a summer’s day”. When I look at a woman … Graphite pencil drawing (Pentel 0.5 mm, 3B) on Canson Bristol paper (21 x 29.7 x 0.1 cm - A4 format) Artist: Corné Akkers
11 bestial qualities – 09-02-19 was created by artist Corne Akkers in 2019. This art piece , which is part of the Drawings - Corne Akkers portfolio, is a Drawings / Sketch artwork. The style of this artwork is best described as Fine Art, Impressionism, Realism, Surrealism. The genre portrayed in this piece of art is Anatomy, Animals, Composition, Erotic, Figurative, Inspirational, Nudes, People. The artwork was created in Pencil. The size of the original art is 30 (cms) H x 21 (cms) W.
Words which artist Corne Akkers feels best describe this work of art are: arte, art, arta, artista, artiste, artist, seni, sanat, kunst, فن, 艺术, कला, corne, akkers, corneakkers, impressionism, clairobscur, creative, inspiration, dutch, finearts, graphite, iloveart, kunst, animals, nederland, drawing, pencildrawing, pencil, potlood, bleistift, crayon, netherlands, realism, cityscape, cubiste, cubisme, искусство, cubismo, cubistic, cubism, kubist, roundism, rondisme, アート, الرسم, кубизм, مذهب, 立體主義, キュビズム, արվեստ, művészet, surrealism, surrealiste, surrealistic, surrealisme, surrealist, surrealisme, gerçeküstücülük, यथार्थ, シュールレアリズム, 超現實主義.
My work can be seen in many countries all over the world. I employ a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. My favorites in doing so are oil paint, dry pastel and graphite pencil. It is not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It is the tonal quality that is ever present in my work, creating the illusion of depth and mass on a flat 2d-plane. I combine figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
I teach art (drawing / painting) at Voorburg, Netherlands where I have my second studio next to my first at The Hague, Netherlands, where I live.