Golden Age Syndrom? This graphite pencil drawing ‘Art Deco Nude – 02-10-22’ follows after the (tentative) completion of my Darja Collins series. After doing her last portrait I thought it was time to return to my Art Deco series. It increases in number steadily even though I am a bit worried about the old fashioned title. I certainly have no desire to become an artist suffering from the golden age syndrom or am I? As an artist I am supposed to be a representative of my time and capture that, Baudelaire would have agreed. How is it that I don’t feel that? Is it sheer repulsion by modern times with its endless repetition of street patterns and company logos? Might it be the attraction to an age gone by in which the love for art and craft still counted? It might be a push and a pull altogeher. Art Deco’s Definition So I did a bit of self diagnosis by reading a book on Art Deco. At the beginning there was an interesting definition. It says: “Geometric styling of naturalistic forms with a degree of abstraction and streamlining. As a natural consequence it flows from bringing them back to the essence geometrically.” Suddenly I realized that I have been doing that for the last decade or so. There is nothing included in that definition that I didn’t fully live up to. Besides that, I certainly like the phrase ‘art deco’. It sounds chique and nowadays art deco bears that costly shiny golden patina. Hmmm, let’s keep the title for the series for a while. Enter Fabriano Ingres I quite like the Fabriano Ingres paper. It is a bit whiter and less fluffy than the Hahnemühle variant. Consequently when erasing there tends to be less eraser residue that lingers in the paper. It is a bit smaller though but I don’t mind. I can scan it in under my A4 scanner finally. As to the drawing, I kept it quite simple this time. The reference photo was that good I only had to add the cubist styling. Consequently much of the credit goes to photographer Emile Otto Hoppé, the author of this one. A great opportunity to honor such artists like him. May they be called back to memory grace to my art works. Pitt Graphite Matt pencil (Faber-Castell) drawing on Fabriano Ingres paper (21 x 28.2 x 0.1 cm) Artist: Corné Akkers
Art Deco Nude – 02-10-22 (sold) was created by artist Corne Akkers in 2022. This art piece , which is part of the Drawings - Corne Akkers portfolio, is a Drawings / Sketch artwork. The style of this artwork is best described as Cubism, Fine Art. The genre portrayed in this piece of art is Anatomy, Composition, Figurative, Inspirational, Nudes, People. The artwork was created in Pencil. The size of the original art is 28 (cms) H x 21 (cms) W.
Words which artist Corne Akkers feels best describe this work of art are: arte, art, arta, artista, artiste, artist, artdeco, deco cubism, cubisme, seni, sanat, kunst, فن, 艺术, कला, corne, akkers, corneakkers, clairobscur, creative, inspiration, dutch, finearts, graphite, iloveart, drawing, pencildrawing, pencil, potlood, bleistift, crayon, realism, cubiste, искусство, cubismo, cubistic, アート, الرسم, кубизм, Κυβισμός, kubismi, lập thể, 입체파, ਘਣਵਾਦ, مذهب, קוביזם, 立體主義, キュビズム, արվեստ, művészet, nude, nu, nackt, naakt, desnudo.
My work can be seen in many countries all over the world. I employ a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. My favorites in doing so are oil paint, dry pastel and graphite pencil. It is not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It is the tonal quality that is ever present in my work, creating the illusion of depth and mass on a flat 2d-plane. I combine figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
I teach art (drawing / painting) at Voorburg, Netherlands where I have my second studio next to my first at The Hague, Netherlands, where I live.