De Koepel (The Dome) at Voorburg – 01-11-18 When I go to teach at Studio Brugman, atVoorburg I often come across The Dome (De Koepel), situated in the middle of estate ‘Vreugd en Rust’. When I saw the autumn sun burst through the trees I saw the link to the ‘inner necessity’ felt by people like Alexej von Jawlensky and Kadinsky from the ‘Blaue Reiter’ movement. 1 + 1 equals two and that very sun and the exhibition I visited last Sunday at the Gemeentemuseum where I saw all his works, culmunated into this piece, rather expressionistic of nature, in which I expressed my inner necessity. Colored pencil drawing (Faber Castell, Albrecht Dürer) on Strathmore drawing paper (21 x 29.7 x 0.1 cm - A4 format) Artist: Corné Akkers
De Koepel (The Dome) at Voorburg – 01-11-18 was created by artist Corne Akkers in 2018. This art piece , which is part of the Drawings - Corne Akkers portfolio, is a Drawings / Sketch artwork. The style of this artwork is best described as Cubism, Expressionism, Fine Art, Impressionism, Realism. The genre portrayed in this piece of art is Architecture, Composition, Figurative, Inspirational, Landscape. The artwork was created in Pencil. The size of the original art is 21 (cms) H x 30 (cms) W.
Words which artist Corne Akkers feels best describe this work of art are: akkers, artist, artista, arts, clairobscur, corne, corneakkers, drawing, 인상주의, figurative, finearts, 印象派, hatching, 印象派, kunst, city, Импрессионизм, אימפרסיוניזם, cityscape, expressionism, expressionisme, impressionism, voorburg, zuid-holland, impressionism, colourful, colorful, pencil, potlood, tekening, zeichnung, انطباعيةr, abstractie, art, arte, arta, artista, artiste, artist, realism, realisme, realistic, realiste, realist, kunst, 藝術, アート, искусство, արվեստ, קונסט, nghệthuật, فن, ხელოვნება, művészet, 艺术, seni, សិល្បៈ, कला, 印象派.
My work can be seen in many countries all over the world. I employ a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. My favorites in doing so are oil paint, dry pastel and graphite pencil. It is not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It is the tonal quality that is ever present in my work, creating the illusion of depth and mass on a flat 2d-plane. I combine figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
I teach art (drawing / painting) at Voorburg, Netherlands where I have my second studio next to my first at The Hague, Netherlands, where I live.