Estate ‘Reigersbergen’ – 16-05-20 These Corona days I wander about the region like I am used to. Nothing changed in this respect and I am more than happy that we in The Netherlands have at least some freedom of movement and that the end of our ‘intelligent lock down’ is in sight. Soon I can start to teach but first draw this one. I was attracted by the slanted angular structures of the willow trees that suit quite my opposite hatched strokes quite nicely. It represents a spot close to where I live, called ‘Estate Reigersbergen’. Graphite pencil drawing (Pentel 0.5 mm, 3B & Conté graphite pencil 4B) on Canson Bristol paper (21 x 29.7 x 0.1 cm – A4 format) Artist: Corné Akkers
Estate ‘Reigersbergen’ – 16-05-20 was created by artist Corne Akkers in 2020. This art piece , which is part of the Drawings - Corne Akkers portfolio, is a Drawings / Sketch artwork. The style of this artwork is best described as Fine Art, Impressionism, Realism. The genre portrayed in this piece of art is Composition, Figurative, Inspirational, Landscape, Nature. The artwork was created in Pencil. The size of the original art is 30 (cms) H x 21 (cms) W.
Words which artist Corne Akkers feels best describe this work of art are: akkers, finearts, corne, drawing, drawings, thehague, reigersbergen, dutch, graphite, grafiet, potlood, dessin, zeichnung, potlood, pencil, crayon, bleistift, hatching, netherlands, paper, trees, dutch, landscape, art, arts, arte, arta, artista, artiste, artist, artistic, realism, realisme, realistic, figurative, seni, sanat, kunst, kunstzinnig, impressionism, impressionisme, impressionist انطباعية#, 印象派, ιμπρεσιονισμός, 印象主義, импрессионизм, سبک هنریامپرسیونیسم, impresszionizmus, impresionismo, realiste, realist.
My work can be seen in many countries all over the world. I employ a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. My favorites in doing so are oil paint, dry pastel and graphite pencil. It is not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It is the tonal quality that is ever present in my work, creating the illusion of depth and mass on a flat 2d-plane. I combine figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
I teach art (drawing / painting) at Voorburg, Netherlands where I have my second studio next to my first at The Hague, Netherlands, where I live.