Gaia - 16-03-16 (sold) A worked out oil surrealistic painting variation of the last of the '13 variations on the same theme' graphite pencil drawing series. I added the world under her so I wouldn't have that much dark negative space. It sort of got a ecological theme by it, so I called it Gaia. Oil on wood panel (85 x 120 cm) Artist: Corné Akkers
Gaia - 16-03-16 (sold) was created by artist Corne Akkers in 2016. This art piece , which is part of the Drawings - Corne Akkers portfolio, is a Paintings artwork. The style of this artwork is best described as Impressionism, Realism, Surrealism. The genre portrayed in this piece of art is Anatomy, Animals, Celestial / Space, Composition, Decorative, Environmental art, Erotic, Fantasy, Figurative, Inspirational, Nudes, Spiritual. The artwork was created in Oil. The size of the original art is 120 (cms) H x 85 (cms) W.
Words which artist Corne Akkers feels best describe this work of art are: Nude, Dutch, Netherlands, art, Surrealism, oilpainting, animals, Arts, fine, 油畫, Mother Earth, surrealist, Nederland, сюрреализм, artiste, 藝術, surrealistic, Gaia, olieverf, искусство, Artista, Desnudo, surrealisme, corne, Akkers, clair, obscur, clair-obscur, zuid-holland, hague, corne, nue, nackt, south-holland, naakt, haag, nederlands, surrealistisch, アート, desnuda, ger?ek?st?c?l?k, यथार्थ, シュールレアリズム, 超現實主義, سريالية, 油絵, ?lgem?lde, картины маслом, لوحة زيتيةلوحة زيتيةلوحة زيتيةلوحة زي.
My work can be seen in many countries all over the world. I employ a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. My favorites in doing so are oil paint, dry pastel and graphite pencil. It is not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It is the tonal quality that is ever present in my work, creating the illusion of depth and mass on a flat 2d-plane. I combine figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
I teach art (drawing / painting) at Voorburg, Netherlands where I have my second studio next to my first at The Hague, Netherlands, where I live.