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Dye Sublimation Printing Used to Obtain Excellent Image Quality on Flip Flops.
Buy Neo Deco – 02-02-23 Flip Flops Art Print by artist Corne Akkers available at Artist.com. Check out the Flip Flops Art Print collections available at Artist.com.
Extending the Series This graphite pencil drawing ‘Neo Deco – 02-02-23’ follows one in the same series . However, for the last one I used my regular model. This time I got yet another one of those Walter Bird ’s pictures. The last one was almost two months ago. Now, I never hid my admiration for him and certainly will do not this time. There were some obstacles to meet first though. I thought there was a whole lot of blackness that I found to be too much of a good thing. Because of the extreme lighting some shadows in the hands formed new, yet incomprehensible tiny subforms. Besides that, the reference picture was of low resolution and therefor a lot of details were hard to detect. The model’s hair looked uncanny straight like straigth flaxen straw. Consequently, the beginning wasn’t promising. I can tell you that. Artistic Search I first got the proportions right. Then I thought it was a good idea to put the stress on the curvature of the body. Somehow I saw the curves extending from her buttons I could extend to her rib cage. The curve in the lower upper leg forms a nice contrast directionwise. The next sequence is the calf mimicing the curve in her lower back. I made her hair a bit more wavy in the lower part of the drawing, deviating from Bird’s photograph. There was more needed. I kept the lower right corner empty. That was a big void but I could rest my hand on it easily, preveting smudging up the whole drawing. I decided to put in two golden ratio curves. Not the first time I have to admit but they are essential to me. I see the ratio embedded in all things. Do you? Graphite pencil (Faber Castell Pitt Graphite Matt pencil 14B) drawing Talens Bristol paper (21 x 29.7 x 0.1 cm) Artist: Corné AkkersMy work can be seen in many countries all over the world. I employ a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. My favorites in doing so are oil paint, dry pastel and graphite pencil. It is not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It is the tonal quality that is ever present in my work, creating the illusion of depth and mass on a flat 2d-plane. I combine figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
I teach art (drawing / painting) at Voorburg, Netherlands where I have my second studio next to my first at The Hague, Netherlands, where I live.
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