Nude – 02-02-19 The object was to do a pastel drawing similar to ‘model session – 17-01-19’ but to keep the hatched strokes rather wide. I also wanted to combine more complementary colour combinations in order to get a greyish look while on the other hand those hatched strokes look very saturated up close. I think this attempt is much closer to the goals of divisionism pointillists proclaimed long ago than I did before. My regular indian model was perfect because she always shows great skin hues like yellows, purples, blues and oranges. Pastel drawing on paper (49.5 x 64.7 x 0.1 cm) Artist: Corné Akkers
Nude – 02-02-19 was created by artist Corne Akkers in 2019. This art piece , which is part of the Pastels - Corne Akkers portfolio, is a Drawings / Sketch artwork. The style of this artwork is best described as Fine Art, Impressionism, Realism. The genre portrayed in this piece of art is Anatomy, Composition, Erotic, Figurative, Nudes, People. The artwork was created in Pastel. The size of the original art is 65 (cms) H x 50 (cms) W.
Words which artist Corne Akkers feels best describe this work of art are: akkers, artist, artista, arts, clairobscur, corne, corneakkers, drawing, 인상주의, figurative, finearts, 印象派, hatching, 印象派, kunst, nackt, Импрессионизм, אימפרסיוניזם, nude, impressionism, nue, expressionism, expressionisme, fauvism, fauvisme, impressionism, pasteles, pastel, pastell, tekening, zeichnung, انطباعيةr, abstractie, art, arte, arta, artista, artiste, artist, realism, realisme, realistic, realiste, realist, kunst, 藝術, アート, искусство, արվեստ, קונסט, nghệthuật, فن, ხელოვნება, művészet, 艺术, seni, សិល្បៈ, कला, 印象派.
My work can be seen in many countries all over the world. I employ a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. My favorites in doing so are oil paint, dry pastel and graphite pencil. It is not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It is the tonal quality that is ever present in my work, creating the illusion of depth and mass on a flat 2d-plane. I combine figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
I teach art (drawing / painting) at Voorburg, Netherlands where I have my second studio next to my first at The Hague, Netherlands, where I live.