Reclining nude - 10-11-14 I was hovering over my regular model and was charmed by this unusual angle. Perhaps you can forgive me when I tell you that I made the pastel from a picture I took that session because otherwise I had to keep my head upside down the whole time. I kept it clairobscur without abstraction because the colours are the theme I think rather than the forms. It's in China on display right now. Pastel drawing on Canson Mi-Teintes Touch paper (50 x 65 x 0.1 cm) Artist: Corné Akkers
Reclining nude - 10-11-14 was created by artist Corne Akkers in 2014. This art piece , which is part of the Drawings - Corne Akkers portfolio, is a Drawings / Sketch artwork. The style of this artwork is best described as Expressionism, Impressionism, Realism, Surrealism. The genre portrayed in this piece of art is Anatomy, Composition, Erotic, Figurative, Inspirational, Nudes, People. The artwork was created in Pastel. The size of the original art is 62 (inches) H x 47 (inches) W.
Words which artist Corne Akkers feels best describe this work of art are: akkers, artist, artista, arts, clairobscur, corne, corneakkers, drawing, dutch, figurative, finearts, 印象派, אימפרסיוניזם, hatching, holland, انطباعية, kunst, 인상주의, expressionism, impressionisme, impressionism, Ιμπρεσιονισμός, nude, nue, pasteles, pastel, pastell, tekening, zeichnung, naakt, abstractie, art, arte, arta, artista, artiste, artist, realism, realisme, realistic, realiste, realist, kunst, 藝術, アート, искусство, արվեստ, קונסט, nghệthuật , فن, ხელოვნება, műv?szet, 艺术, seni, សិល្បៈ, कला.
My work can be seen in many countries all over the world. I employ a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. My favorites in doing so are oil paint, dry pastel and graphite pencil. It is not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It is the tonal quality that is ever present in my work, creating the illusion of depth and mass on a flat 2d-plane. I combine figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
I teach art (drawing / painting) at Voorburg, Netherlands where I have my second studio next to my first at The Hague, Netherlands, where I live.