The Revelation of Bettie Page (2018) In this painting I tried to work out some grand themes: sex and religion. There is nothing more to say about the ‘what’. About the ‘how’ I would like to mention Johannes Itten who spoke on balance in all sorts of contrasts so eloquently. I tried to balance the big themes and the details just like Jan van Eyck did in his famous painting ‘Madonna of Chancellor Rolin’. I always was fascinated by its mechanisms: the main theme of the Madonna worshipped by Rolin is the painting 1.0. For spectators who want to see more there is the painting 2.0: a landscape and a city full of activity but it does not interfere with the 1.0. This is what I wanted for my painting as well and I hope it it will serve as an hommage to the arts and crafts of the old masters in these days of artistic confusion all around us. Oil on wood panel (85 x 120 x 0.9 cm) Artist: Corné Akkers
The Revelation of Bettie Page (2018) was created by artist Corne Akkers in 2018. This art piece , which is part of the Oil Paintings - Corne Akkers portfolio, is a Paintings artwork. The style of this artwork is best described as Abstract, Fine Art, Realism, Surrealism. The genre portrayed in this piece of art is Anatomy, Animals, Composition, Fantasy, Figurative, Inspirational, People. The artwork was created in Oil. The size of the original art is 120 (cms) H x 85 (cms) W.
Words which artist Corne Akkers feels best describe this work of art are: akkers, stillife, artist, artista, artiste, arts, portrait, clair, clairobscur, corne, dutch, figurative, finearts, oil, kunst, bettiepage, netherlands, oils, realism, realisme, realist, sanat, seni, painting, فن, искусство, アート, figuratief, 藝術, art, קונסט, 藝術, アート, արվեստ, קונסט, nghệthuật, فن, ხელოვნება, művészet, 艺术, seni, សិល្បៈ, कला, 印象派, 인상주의, Импрессионизм, אימפרסיוניזם, creative, inspiration, iloveart, buyart, inspirational, creativity, surrealism, surrealisme, surrealist, surrealistic, アート, gerçeküstücülük, यथार्थ, シュールレアリズム, 超現實主義, سريالية, 油絵.
My work can be seen in many countries all over the world. I employ a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. My favorites in doing so are oil paint, dry pastel and graphite pencil. It is not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It is the tonal quality that is ever present in my work, creating the illusion of depth and mass on a flat 2d-plane. I combine figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
I teach art (drawing / painting) at Voorburg, Netherlands where I have my second studio next to my first at The Hague, Netherlands, where I live.
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