The Venus of The Hague – 07-06-20 Today’s my birthday and I thought I’d offer you something different: a special treat. Since the last variation was abstracted to the point I did not want to go any futher, I decided to do this realistically. All of a sudden I saw the scenery of Déjeuner sur l’herbe in front of me and in stead of the bathing woman I saw Batseba (Hendrickje Stoffels by Rembrandt and one thing lead to another. Hence this drawing. Graphite pencil drawing (Sakura 0.5 mm, 3B) on Winsor & Newton Bristol paper (21 x 29.7 x 0.1 cm) - A4 format) Artist: Corné Akkers
The Venus of The Hague – 07-06-20 (sold) was created by artist Corne Akkers in 2020. This art piece , which is part of the Drawings - Corne Akkers portfolio, is a Drawings / Sketch artwork. The style of this artwork is best described as Fine Art, Realism, Surrealism. The genre portrayed in this piece of art is Anatomy, Composition, Erotic, Fantasy, Figurative, Inspirational, Land Art, Landscape, Nature, Nudes, People. The artwork was created in Pencil. The size of the original art is 21 (cms) H x 30 (cms) W.
Words which artist Corne Akkers feels best describe this work of art are: nude, nu, desnudo, drawing, zeichnung, dessin, pencil, corneakkers, graphite, akkers, artist, artista, arts, فن, 艺术, कला, corne, figurative, finearts, seni, sanat, creative, inspiration, creativity, landscape, iloveart, buyart, kunst, art, arte, arta, artista, artiste, artist, realism, realisme, realistic, realiste, realist, church, surrealism, surrealiste, surrealistic, surrealisme, surrealist, surrealisme, gerçeküstücülük, यथार्थ, シュールレアリズム, 超現實主義, سريالية, сюрреализм.
My work can be seen in many countries all over the world. I employ a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. My favorites in doing so are oil paint, dry pastel and graphite pencil. It is not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It is the tonal quality that is ever present in my work, creating the illusion of depth and mass on a flat 2d-plane. I combine figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
I teach art (drawing / painting) at Voorburg, Netherlands where I have my second studio next to my first at The Hague, Netherlands, where I live.