Veere – 26-03-20 After my walkabout through Veere I got back to the parking lot when I saw mill ‘De Koe’ just outside the historical centre. My mind was not fixed on any style but Leo Gestel’s depiction of olive groves at Mallorca weakly lingered at the back of my head. So it came to be that the bushes in the front turned roundistically cubistic and the mill rather impressionistic. I kept the trees in the back also in my roundism style and I tuned down the tonal differences in the back even more than there were to bes een at the very spot in order to create more depth. Sometimes these faint grasses can appear rather weak and so some artistic beefing up is elementry. Graphite pencil drawing (Pentel 0.5 mm, 3B) on Canson Bristol paper (21 x 29.7 x 0.1 cm - A4 format) Artist: Corné Akkers
Veere – 26-03-20 was created by artist Corne Akkers in 2020. This art piece , which is part of the Drawings - Corne Akkers portfolio, is a Drawings / Sketch artwork. The style of this artwork is best described as Cubism, Fine Art, Impressionism, Realism. The genre portrayed in this piece of art is Architecture, Cityscape, Composition, Figurative, Historical, Inspirational, Landscape. The artwork was created in Pencil. The size of the original art is 21 (cms) H x 30 (cms) W.
Words which artist Corne Akkers feels best describe this work of art are: akkers, artist, artista, arts, clairobscur, corne, corneakkers, drawing, 인상주의, figurative, finearts, 印象派, hatching, 印象派, kunst, city, Импрессионизм, אימפרסיוניזם, cityscape, impressionism, veere molendekoe, impressionism, graphite, pencil, potlood, tekening, zeichnung, انطباعيةr, abstractie, art, arte, arta, artista, artiste, artist, realism, realisme, realistic, realiste, realist, kunst, 藝術, アート, искусство, արվեստ, קונסט, nghệthuật, فن, ხელოვნება, művészet, 艺术, seni, សិល្បៈ, कला, 印象派, treescape, roundism, rondisme, cubism, cubisme.
My work can be seen in many countries all over the world. I employ a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. My favorites in doing so are oil paint, dry pastel and graphite pencil. It is not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It is the tonal quality that is ever present in my work, creating the illusion of depth and mass on a flat 2d-plane. I combine figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
I teach art (drawing / painting) at Voorburg, Netherlands where I have my second studio next to my first at The Hague, Netherlands, where I live.