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3-Piece BBQ Set in solid Wooden Pine Box with Sublimatable Lid; Tools are Stainless Steel, and Handles are Solid Oak
Buy Art sessions for groups Mirit Ben-Nun studio modern paintings Israel BBQ Set in Wooden Pine Box print by artist Mirit Ben-Nun available at Artist.com. Check out the BBQ Set in Wooden Pine Box Art Print collections available at Artist.com.
Mirit Ben-Nun believes and feels that art is a vital and necessary function for human existence, it is what enriches the human race. For Mirit it is her everyday language and her wish is that it reaches the one who observes her works of art and allows her to communicate her most positive aspects of creativity, worshiping the highest values of which humanity prides itself. The artist is impregnated with the concept that there is no art without man, but perhaps neither is man without art. It is a kind of soul breathing.These works are sometimes conflicting with our ideas of how art should look and if it meets the expectations of the observer. It is clear that this art does not respond to the sciences of art academies, does not imitate the real world, nor does it use conventional perspectives. Mirit Ben-Nun transmits his inner world, giving rise to an infinite number of artistic compositions, springs of dreams, inner sounds, different meanings of his reality and perhaps of his own unreality. His art is not separated from life and the real world, it is his exchange between his self and the spectator. She expresses her thoughts with a unique style and approach. Dora WodaMirit Ben Nun
Born August 8, 1966
These paintings express a personal need to delineate images and fantasies abundant with color and emotional explosion. Signs, lines and the materials appear of their own volition and develop as an external language bridging the eye, the hand and the painted surface.During the making of a painting the power of the shapes emanate from an unconscious and concealed inner dimension. Line by line, painting after painting while repeating shapes and patterns, a creation evolves into new shapes and patterns. With a determination that reaches obsession, Mirit Ben-Nun keeps on returning to her art of meticulous decoration. A strong presence of primitive ornamentation provides the artwork with a tribal facet on one hand and a feminine touch on the other, encompassing embroidery, bead threading and weaving among others. Ben- Nun’s beautifying urge carries within it an archetypal strata, mythic at times, which empowers her authentic expression.
Dr. Gidion Ofrat and Ami Steinitz
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