Mirit Ben-Nun has developed a style that is manifested as movement, rhythmic repetition and the speed of objects on the canvas. In the process the artist often asks difficult questions or invites reflection without providing easy answers. Her curiosity, her open mind and a commitment to dialogue are her best tools for addressing her artwork. These art pieces often challenge our ideas about how art should look or behave. Her art is not based on what was said before and does not depend on the Academies of Art; it breaks traditions, and does not imitate the real world, it transmits the inner world of its creator. Through imprecise and significant characters, it radiates different ideas about the reality of the world and of human dreams. Mirit transmits clearly with a unique focus the concept that art is not separated from life and the real world in which we live. Dora Woda
Art tours in the Land of Israel Mirit Ben-Nun artistic painter was created by artist Mirit Ben-Nun in 2020. This art piece , which is part of the Ink and markers on paper portfolio, is a Paintings artwork. The style of this artwork is best described as Expressionism. The genre portrayed in this piece of art is Fantasy. The artwork was created in Ink. The size of the original art is 35 (cms) H x 25 (cms) W.
Words which artist Mirit Ben-Nun feels best describe this work of art are: israel, art, artwork, paintings, authentic, primitive, original, .
Mirit Ben Nun
Born August 8, 1966
These paintings express a personal need to delineate images and fantasies abundant with color and emotional explosion. Signs, lines and the materials appear of their own volition and develop as an external language bridging the eye, the hand and the painted surface.During the making of a painting the power of the shapes emanate from an unconscious and concealed inner dimension. Line by line, painting after painting while repeating shapes and patterns, a creation evolves into new shapes and patterns. With a determination that reaches obsession, Mirit Ben-Nun keeps on returning to her art of meticulous decoration. A strong presence of primitive ornamentation provides the artwork with a tribal facet on one hand and a feminine touch on the other, encompassing embroidery, bead threading and weaving among others. Ben- Nun’s beautifying urge carries within it an archetypal strata, mythic at times, which empowers her authentic expression.
Dr. Gidion Ofrat and Ami Steinitz