White Sublimatable Apron, size 28" x 31 1/2"
Buy Cipher number 50 White Apron print by artist federico cortese available at Artist.com. Check out the White Apron Art Print collections available at Artist.com.From the series “Code”, oil on thick paper. A map is an imprint, a sign of man in the landscape. An alien intelligence, observing our cities from the great distances of space, could interpret them as the characters of an alphabet, sort of messages, a code of signs, each one different from the other, each with its own meaning and its own syntax. This hypothetical alien presence may not even realize that these cities have a purpose and a function, which are the product of the way we have adapted to live on this planet, but it could engage in an attempt to interpret this unknown language, identifying the alphabet and associating to each character a precise meaning. Will we still be able to understand and share these new meanings, or will they have lost any sense for us? The selling price of the original painting includes the shipping costs.
I was born in 1971 in Turin, Italy, where I live and work as an artist. Since I can remember I have always drawn. My preferred techniques are classic oil on canvas paintings, and pencil drawings.
I’m like a mouse in its box. A little mouse safe in its shelter, that passes his time gnawing the food stored for the winter. But my food are the drawings. I work within my home. My studio is a room of the house in which I live. In this relatively small space are accumulated all the materials and equipment I need to draw and paint, but in a certain sense also the suggestions that inspire my work. Here are the desks and drawing boards, with brushes and paint colors, but also, on the walls or placed in closets, paintings and drawings (I think each finished work is always an inspiration for the next, in somehow). A great source of ideas are books and music, and of course the PC. The graphics programs and virtual modeling programs have become over the years a valuable support, but obviously the richest mine is the internet: a reservoir of images and ideas from which to draw, and in which we often are lost (in addition to photos of my own travels, all stored on the computer). It’s a small microcosm closed in on itself, rather impervious to the outside world (despite a large window with a beautiful view of Turin, almost always I work with the curtains closed). It is a bit as if the suggestions of the real world were allowed to enter here only after being filtered and digested, only after it has been already turned into experience. Exactly like a rat, eating quiet its supplies in its den, waiting for the end of winter.