From the series “The stars reflected in the eyes”, cementite, oil, graphite, wooden sticks and cotton thread on paper. 20 x 20 cm, 2014. Anything that can be classified in a homogeneous series exerts an attraction on me and an impulse to draw it. Perhaps what attracts me is the research of the variant, the exploration of the rules that allow the inclusion of that group of objects in a single set but giving to each object its uniqueness. So I always liked to draw eyes. Individual eyes, wide eyes, groups of eyes, half closed eyes. To change the expression or play with colors and decorations as if it were a make-up, allows endless variations. Even the constellations in the sky are endless, and I drew these too, as if they were geometric embroidery or imaginary and arbitrary warping created for the sole purpose of interpreting a reality difficult to understand. Then, when the verse of a mawkish romantic song came into my thoughts ("The starlight is reflected in your eyes ..."), I could not resist to create a new series, based on the union of those two, which although have nothing to do with each other, related by the only fact of being homogeneous sets, ready to be classified to quench the thirst of an artist that is anxious to bring order into its chaotic imaginary world. ---- I was born in 1971 in Turin, Italy, where I live and work as an artist. My main artistic technique is the use of classic oil colours, associated with other media and materials, such as pencil, coloured pencils, charcoal, inks and industrial paints. I mainly paint on fine art white paper or on cotton canvases. Usually my work proceeds with the sedimentation of several layers, one after the other. And often each drawing or painting, also if it is sold alone, belongs to a wider series of works. In each series I try to explore and study a peculiar aspect of representation, decoration and languages. Once ended, the painting is finished with a coat of UV varnish to protect against sunlight and dust. The canvases are painted on the sides too, so they are ready to hang. My sold works are never rolled but always packed flat. I put them between two sheets of acid free paper with paper or cardboard protection for the corners, than close in a plastic envelope. The envelope is stiffen with a sheet of polystyrene on both sides, and the whole thing is completed with layers of cardboard. The package is also protected with bubble packaging inside. Usually the artwork is shipped in 2/3 days after receiving the payment. All my artworks are original unique paintings, signed. Certificate of Authenticity included. FREE SHIPMENT!
Constellation number 5 was created by artist federico cortese in 2014. This art piece is a Graphic, Illustration, Paintings artwork. The style of this artwork is best described as Dadaism, Fine Art, Futurism. The genre portrayed in this piece of art is Conceptual, Decorative, Mathematics. The artwork was created in Oil, Pencil. The size of the original art is 20 (cms) H x 20 (cms) W.
Words which artist federico cortese feels best describe this work of art are: eye, eyes, sight, constellation, embroidery, warping, make up, classification, expression, thread.
I was born in 1971 in Turin, Italy, where I live and work as an artist. Since I can remember I have always drawn. My preferred techniques are classic oil on canvas paintings, and pencil drawings.
I’m like a mouse in its box. A little mouse safe in its shelter, that passes his time gnawing the food stored for the winter. But my food are the drawings. I work within my home. My studio is a room of the house in which I live. In this relatively small space are accumulated all the materials and equipment I need to draw and paint, but in a certain sense also the suggestions that inspire my work. Here are the desks and drawing boards, with brushes and paint colors, but also, on the walls or placed in closets, paintings and drawings (I think each finished work is always an inspiration for the next, in somehow). A great source of ideas are books and music, and of course the PC. The graphics programs and virtual modeling programs have become over the years a valuable support, but obviously the richest mine is the internet: a reservoir of images and ideas from which to draw, and in which we often are lost (in addition to photos of my own travels, all stored on the computer). It’s a small microcosm closed in on itself, rather impervious to the outside world (despite a large window with a beautiful view of Turin, almost always I work with the curtains closed). It is a bit as if the suggestions of the real world were allowed to enter here only after being filtered and digested, only after it has been already turned into experience. Exactly like a rat, eating quiet its supplies in its den, waiting for the end of winter.