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An original piece from the series “Houses on the water”:
When, in my holidays, I go to visit a seaside town or a river town, it often happens that I am involved into the classic tourist trip on the boat, or vessel. Such an experience, by definition, is a little superficial: the distance from the coast, the movement, the limited time, all these elements combined together make the perception confused. But at the same time, perhaps for the fact that the focus can not dwell deeply on anything specific, the end of this experience gives a reminder of the whole, that could reveal the spirit of that place. It 's true, the details are confused, the facades of the buildings overlap, we are no longer sure if the front of that palace was on the Grand Canal or the Giudecca, but probably at the end of the journey, that will remain our most intense memory of Venice. The selling price of the original painting includes the shipping costs.
About federico cortese
I was born in 1971 in Turin, Italy, where I live and work as an artist. Since I can remember I have always drawn. My preferred techniques are classic oil on canvas paintings, and pencil drawings.
I’m like a mouse in its box. A little mouse safe in its shelter, that passes his time gnawing the food stored for the winter. But my food are the drawings. I work within my home. My studio is a room of the house in which I live. In this relatively small space are accumulated all the materials and equipment I need to draw and paint, but in a certain sense also the suggestions that inspire my work. Here are the desks and drawing boards, with brushes and paint colors, but also, on the walls or placed in closets, paintings and drawings (I think each finished work is always an inspiration for the next, in somehow). A great source of ideas are books and music, and of course the PC. The graphics programs and virtual modeling programs have become over the years a valuable support, but obviously the richest mine is the internet: a reservoir of images and ideas from which to draw, and in which we often are lost (in addition to photos of my own travels, all stored on the computer). It’s a small microcosm closed in on itself, rather impervious to the outside world (despite a large window with a beautiful view of Turin, almost always I work with the curtains closed). It is a bit as if the suggestions of the real world were allowed to enter here only after being filtered and digested, only after it has been already turned into experience. Exactly like a rat, eating quiet its supplies in its den, waiting for the end of winter.