Visit Israel art paintings studio host groups

Product Description

Mirit Ben-Nun believes and feels that art is a vital and necessary function for human existence, it is what enriches the human race. For Mirit it is her everyday language and her wish is that it reaches the one who observes her works of art and allows her to communicate her most positive aspects of creativity, worshiping the highest values of which humanity prides itself. The artist is impregnated with the concept that there is no art without man, but perhaps neither is man without art. It is a kind of soul breathing. Mirit Ben-Nun uses lines and points as an expressive resource and does so by exploiting nuances and associations to their fullest. Some forms follow the same direction and others change constantly, even urgently. Its language is visual and independent of its expressiveness; it lies in the value and organization of its elements. The 'things' of the visual world are unimportant, the point is the achievement of reproduction of the world and human nature. Constantly encouraging creativity. In this case pointillism conveys emotions by the effect of using color, points, lines and thus capturing the attention of the observer. Dora Woda

Visit Israel art paintings studio host groups was created by artist Mirit Ben-Nun in 2020. This art piece , which is part of the Ink and markers on paper portfolio, is a Paintings artwork. The style of this artwork is best described as Abstract. The genre portrayed in this piece of art is Fantasy. The artwork was created in Ink. The size of the original art is 35 (cms) H x 25 (cms) W.
Words which artist Mirit Ben-Nun feels best describe this work of art are: israel, woman, art, artistic, artist, women, female, .

About Mirit Ben-Nun

Mirit Ben Nun 

Born August 8, 1966 

These paintings express a personal need to delineate images and fantasies abundant with color and emotional explosion. Signs, lines and the materials appear of their own volition and develop as an external language bridging the eye, the hand and the painted surface.During the making of a painting the power of the shapes emanate from an unconscious and concealed inner dimension. Line by line, painting after painting while repeating shapes and patterns, a creation evolves into new shapes and patterns. With a determination that reaches obsession, Mirit Ben-Nun keeps on returning to her art of meticulous decoration. A strong presence of primitive ornamentation provides the artwork with a tribal facet on one hand and a feminine touch on the other, encompassing embroidery, bead threading and weaving among others. Ben- Nun’s beautifying urge carries within it an archetypal strata, mythic at times, which empowers her authentic expression.

Dr. Gidion Ofrat and Ami Steinitz