Mirit Ben Nun Born August 8, 1966 These paintings express a personal need to delineate images and fantasies abundant with color and emotional explosion. Signs, lines and the materials appear of their own volitionand develop as an external language bridging the eye, the hand and the painted surface.During the making of a painting the power of the shapes emanate from an unconsciousand concealed inner dimension. Line by line, painting after painting while repeating shapes and patterns, a creation evolves into new shapes and patterns. With a determination that reaches obsession, Mirit Ben-Nun keeps on returning to her art of meticulous decoration. A strong presence of feminine touch on the other, encompassing embroidery, bead threading and weaving among others. Ben- Nun’s beautifying urge carries within it an archetypal strata, mythicat times, which empowers her authentic expression. Dr. Gidion Ofrat and Ami Steinitz
Women loving art Israeli colorful paintings and drawings was created by artist Mirit Ben-Nun in 2019. This art piece is a Paper Art artwork. The style of this artwork is best described as Abstract, Expressionism. The genre portrayed in this piece of art is Still Life. The artwork was created in Ink. The size of the original art is 70 (cms) H x 50 (cms) W.
Words which artist Mirit Ben-Nun feels best describe this work of art are: original, art, artistic, decoration, painting, drawing, black, white, authentic, woman, women, israeli, israel, gallery, museum, muse, mode,
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Mirit Ben Nun
Born August 8, 1966
These paintings express a personal need to delineate images and fantasies abundant with color and emotional explosion. Signs, lines and the materials appear of their own volition and develop as an external language bridging the eye, the hand and the painted surface.During the making of a painting the power of the shapes emanate from an unconscious and concealed inner dimension. Line by line, painting after painting while repeating shapes and patterns, a creation evolves into new shapes and patterns. With a determination that reaches obsession, Mirit Ben-Nun keeps on returning to her art of meticulous decoration. A strong presence of primitive ornamentation provides the artwork with a tribal facet on one hand and a feminine touch on the other, encompassing embroidery, bead threading and weaving among others. Ben- Nun’s beautifying urge carries within it an archetypal strata, mythic at times, which empowers her authentic expression.
Dr. Gidion Ofrat and Ami Steinitz