An original piece from the series “Code”, oil on paper, 35 x 35 cm, 2018. The selling price of the original painting includes the shipping costs. The European travelers who made the grand tour in Italy in the nineteenth century, brought back home, in their drawings and memories, a romantic, bucolic, partly false image of the country. They started the journey with a predefined idea and expected to find that, so they were able to see ancient ruins in idyllic landscapes, ignoring the poverty and misery surrounding them. In the same way the map of a city can become a plot of memories or even the falsification of memories. There will be in that map some gaps, or forgotten parts, and parts that we remember as we would like them to have been and not for how they really were. The map can become a personal and intimate diary, where we record our experiences. That map can even become the abstract representation of the ideal life we would have liked to live, a melancholic outline of our regrets and broken dreams.
A journey to Italy, Abriola was created by artist federico cortese in 2018. This art piece is a Paintings artwork. The style of this artwork is best described as Abstract. The genre portrayed in this piece of art is Analytical art. The artwork was created in Oil. The size of the original art is 35 (cms) H x 35 (cms) W.
Words which artist federico cortese feels best describe this work of art are: aerial photo, cartography, city, city map, city planning, cityscape, geography, map, mapping, territory, town, urban plan, decoration, landscape, italy, italian, .
I was born in 1971 in Turin, Italy, where I live and work as an artist. Since I can remember I have always drawn. My preferred techniques are classic oil on canvas paintings, and pencil drawings.
I’m like a mouse in its box. A little mouse safe in its shelter, that passes his time gnawing the food stored for the winter. But my food are the drawings. I work within my home. My studio is a room of the house in which I live. In this relatively small space are accumulated all the materials and equipment I need to draw and paint, but in a certain sense also the suggestions that inspire my work. Here are the desks and drawing boards, with brushes and paint colors, but also, on the walls or placed in closets, paintings and drawings (I think each finished work is always an inspiration for the next, in somehow). A great source of ideas are books and music, and of course the PC. The graphics programs and virtual modeling programs have become over the years a valuable support, but obviously the richest mine is the internet: a reservoir of images and ideas from which to draw, and in which we often are lost (in addition to photos of my own travels, all stored on the computer). It’s a small microcosm closed in on itself, rather impervious to the outside world (despite a large window with a beautiful view of Turin, almost always I work with the curtains closed). It is a bit as if the suggestions of the real world were allowed to enter here only after being filtered and digested, only after it has been already turned into experience. Exactly like a rat, eating quiet its supplies in its den, waiting for the end of winter.