From the series “Rorschach”, oil on paper, 65 x 50 cm, 2018. ORIGINAL SOLD. The Swiss psychiatrist Hermann Rorschach, invented the famous inkblots, to put into practice a therapeutic form in which a patient, observing these apparently indefinite forms, could create associations or interpretations, from which the analysis of the psychological disorders can begin. Often my work is criticized because it is too defined, too precise, too detailed. This accuracy would take away any possible action to the imagination of the observer. This reasoning has always made me smile a little, and each time reminds me of the Rorschach blots, which in reality were not indefinite, but on the contrary sharp and precise, and allowed to generate associations only because these associations are already inside the mind of the patient, or in general, of the observer. The interpretation of a work is not made possible by its indeterminacy. It depends only on the culture of the viewer, on the books he has read, on the films he has seen, on the paintings he has observed, and this generates his ability to see cross-references between things.
Rorschach number 1 was created by artist federico cortese in 2018. This art piece is a Paintings artwork. The style of this artwork is best described as Abstract. The genre portrayed in this piece of art is The Unconscious. The artwork was created in Oil, Painting. The size of the original art is 50 (cms) H x 65 (cms) W.
Words which artist federico cortese feels best describe this work of art are: inkblot, blot, blots, shapes, psychiatry, rorschach, associations, interpretations, psychology, detail, decoration, Rorschach.
I was born in 1971 in Turin, Italy, where I live and work as an artist. Since I can remember I have always drawn. My preferred techniques are classic oil on canvas paintings, and pencil drawings.
I’m like a mouse in its box. A little mouse safe in its shelter, that passes his time gnawing the food stored for the winter. But my food are the drawings. I work within my home. My studio is a room of the house in which I live. In this relatively small space are accumulated all the materials and equipment I need to draw and paint, but in a certain sense also the suggestions that inspire my work. Here are the desks and drawing boards, with brushes and paint colors, but also, on the walls or placed in closets, paintings and drawings (I think each finished work is always an inspiration for the next, in somehow). A great source of ideas are books and music, and of course the PC. The graphics programs and virtual modeling programs have become over the years a valuable support, but obviously the richest mine is the internet: a reservoir of images and ideas from which to draw, and in which we often are lost (in addition to photos of my own travels, all stored on the computer). It’s a small microcosm closed in on itself, rather impervious to the outside world (despite a large window with a beautiful view of Turin, almost always I work with the curtains closed). It is a bit as if the suggestions of the real world were allowed to enter here only after being filtered and digested, only after it has been already turned into experience. Exactly like a rat, eating quiet its supplies in its den, waiting for the end of winter.